Category Archives: Huun huur tu

Huun-Huur-Tu – Live

Standard

Huun-Huur-Tu – Live

Ajoutée le 15 juil. 2011

Huun Huur Tu Tour January 2017 13.1.17 — NL — Rotterdam — Lantaren Venster 14.1.17 — D — Köln — Yard Club 15.1.17 — D — Mannheim — Alte Feuerwache 16.1.17 — I — Bologna — Teatro San Leonardo 17.1.17 — I — Udine — Teatro S. Giorgio 18.1.17 — D — Lich — Kino Traumstern 19.1.17 — D — Baden Baden — Spitalkirche 20.1.17 — D — Bad Reichenhall — Casino 21.1.17 — D — Ravensburg — Zehntscheuer 22.1.17 — D — Wuppertal — Internationales Zentrum 24.1.17 — D — Kiel — Kulturforum 25.1.17 — SE — Malmö — Victoria Teatre 26.1.17 — SE — Göteborg — Oceanen 27.1.17 — D — Kopenhagen — Global 28.1.17 — D — Bremerhaven — Pferdestall 29.1.17 — D — Bremen — Moments 30.1.17 — D — Hannover — Pavillon http://www.jaro.de/artists/huun-huur-tu/ Huun-Huur-Tu at Fantasy Studios, Berkeley, California November 18, 2008 You can buy the CDs of Huun-Huur-Tu @ http://www.jaro.de

 

Huun‐Huur‐Tu – Full Performance (Live on KEXP)

Standard

Huun‐Huur‐Tu – Full Performance (Live on KEXP)

Ajoutée le 9 oct. 2017

http://KEXP.ORG presents Huun‐Huur‐Tu performing live in the KEXP studio. Recorded August 15, 2017. Songs: Chyraa-Khoor (Yellow Pacer) Konguroi (Sixty Horses in My Herd) Odugen Taiga Aa-Shuu Dekei-oo Host: DJ Rhythma Audio Engineer: Kevin Suggs Cameras: Jim Beckmann, Alaia D’Alessandro & Justin Wilmore Editor: Justin Wilmore http://kexp.org

 

canto armonico Tuvano – Sygyt (throat singing), Radik Tyulyush performing a Sygyt Solo, TUVA

Standard

canto armonico Tuvano – Sygyt (throat singing), Radik Tyulyush performing a Sygyt Solo, TUVA

Published on Feb 25, 2015

Radik Tyulyush performing a Sygyt Solo during the Huun Huur Tu concert at Fantasy Studios, Berkeley, California November 18, 2008

canto armonico Tuvano – kargyraa (throat singing), Kaigal-ool Khovalyg performing a Kargyraa Solo, TUVA

Standard

canto armonico Tuvano – kargyraa (throat singing), Kaigal-ool Khovalyg performing a Kargyraa Solo, TUVA

Published on Oct 18, 2015

Kaigal-ool Khovalyg performing a Kargyraa Solo during the Huun Huur Tu concert at Fantasy Studios, Berkeley, California November 18, 2008

HUUN HUUR TU: biography

Standard

Huun-Huur-Tu

Archaic voice wonder from Tuva
HHT May 2006 Moscow

Origin: Kyzyl, Tuva

In 1992, Huun-Huur-Tu was founded by Sasha Bapa, his brother, Sayan, and two other musicians, Kaigal-ool Khovalyg and Albert Kuvezin. Ever since they have tried to focus on the performance of “old and forgotten songs”, as Sasha put it. Sasha, Sayan, and Kaigal-ool were refugees of one of the large state-managed song and dance ensembles that became fixed institutions of the public cultural life during the Soviet era. For decades these ensembles with their glitzy performances of folk music or pseudo folk music offered the only possibility for young musicians to play indigenous music for a living. Throughout the privatization of the music business in the former Soviet Union, many musicians decided to abandon these state ensembles and form their own groups. The musical results have decidedly been mixed.

In an interview for the American producer and critic, Ted Levin,  Sasha Bapa  explained the meaning of  ‘Huun-Huur-Tu’ as the vertical separation of light rays that one often see out on the grasslands just after sunrise or just before sunset. It seems to be a metaphor for the band’s key element– throat-singing that “consists of producing a deep tone in such a way as to create one or two substantial harmonics. The first harmonic is a humming sound in the mid-range, and on top is a loud whistling tone that the singer raises and lowers to create a weird sort of melody by varying the embouchure” (Jon Sobel, Blogcritics Magazine). In this light and through their heavy touring, Huur-Tu can truly be seen as a leading force in popularizing throat singing or khöömei the past  decades.

However rooted in Tuvan traditions, it would be a mistake to attribute Huun-Huur-Tu to a folk ensemble. For the first time, Huun-Huur-Tu laced in the pop charts with a remix of the title “Eki Attar”. It became Greece’s No.1 hit in the summer of 2002. The ensemble then went on to release a studio project entitled ‘Spirits of Tuva’ with Djs of various nationalities. They have performed with Ry Cooder, Frank Zappa, The Chieftains, Johnny “Guitar” Watson, Kronos Quartet and L. Shankar among the others. The ensemble’s collaborations do also include other members of  JARO: Hazmat Modine, The Bulgarian Voices– Angelite, and Moscow Art Trio.

Huun-Huur-Tu’s Style

Huun-Huur-Tu’s style could be best described as profoundly mysterious. This comes as a consequence of their traditional, ritual laryngeal chants descending from Central Asian land of Tuva. This unique song technique reside on developing an enthralling sound cosmos rich in undertones and overtones.

The members of Huun-Huur-Tu have devoted themselves to learning oId songs and tunes, but at the same time their performances reflect the values of globalization. The whistling of the high-mountain wind forms eerie overtones and postmodern statement. The repeated thrum of a string against wood and hide turns into a meditative, evocative figure straight from the avant-garde. The descendants of isolated Siberian herdsmen make serious, strangely universal music out of some of the planets quirkiest acoustics.

The Tuvan acoustic quartet Huun Huur Tu prove that Tuvan music can take plenty of intelligent innovation. Using traditional instruments and drawing subtly on 20th-century composers, Huun Huur Tu transform ancient songs into complex acoustic compositions.

Huun-Huur-Tu’s Performance

As they began touring in the West, Huun Huur Tu almost single-handedly introduced the outside world to the boundless wealth of Tuvan traditions, thanks in great part to their superior musicianship. Hailing from the high pastures of the Altai Mountains in south central Siberia, the musicians have spent decades honing the overtone singing, instrumental approaches, and vibrant songs of their home.

Steeped in Tuvan folklore, the ensemble wears traditional garb and accompanies themselves on string and percussion instruments, playing galloping rhythms that evoke the vast south Siberian steppe. Their tightly structured pieces often imitate natural sounds, so that a song can be a literal representation of a Tuvan landscape.

Jon Sobel of the Blogcritics Magazine characterized the ensemble’s live performance as: “[…] the music is as warmly human as any folk style, and it’s not all khoomei. The four men have six or seven very distinct singing voices among them. Accompanying themselves on plucked and bowed stringed instruments, percussion, and jaw harps, they emulate biological rhythms in song: heartbeats, breathing, a brain drifting in dreamland, and not least (for a nomadic people), a horse’s trot. The songs are about romantic love, love of place, and (not least) horses, with moods that range from lyrical and thoughtful to joyful, humorous and danceable.”  In this sense, the San Francisco Bay Guardian concluded that the Tuvan show: “will ride into your brain and leave hoof-prints up and down your spine.”

http://www.jaro.de/artists/huun-huur-tu/