Daily Archives: November 17, 2021

Overtone singing as a human resource

Overtone singing as a human resource

16,920 viewsFeb 25, 201865610ShareSaveBosco di Ogigia 72K subscribers

Can overtone singing be a resource for health? We have talked with composer Roberto Laneri and Giovanni Marotta, homeopath and director of CIMI, Italian Center for Integrated Medicine in Rome ✔ CIMI: http://cimiroma.it/ ✔ SUBSCRIBE: https://goo.gl/38a7Hg

Lasse Thoresen – From the Sweet Scented Streams of Eternity (excerpt)


Lasse Thoresen – From the Sweet Scented Streams of Eternity (excerpt)

1,142 viewsMar 8, 201080ShareSaveFabiana Piersanti 35 subscribers The Norwegian Soloists Choir · Pedersen Simax Classics PSC 1130 · [pizzicato.ch] Lasse Thoresen is one of the most respected living composer of Norway. His work field includes electronic composition and deep research on Norwegian folk music. Recently he has won the prestigious Nordic Council Music Prize 2010 for his work “Opus 42”. Thoresen is Professor at the “Noregs musikkhøgskole” (Norwegian Academy of Music).

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From the Sweet-Scented Streams of Eternity


Norwegian Soloists’ Choir


From the Sweet-Scented Streams of Eternity

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MICHAEL EDGERTON , professor at MALMO Academy of Music


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Michael Edgerton

Michael Edgerton


  • Phone+4640325476, +460738021961

Personal profile

Artistic work

Michael Edgerton is an active composer with performances around the world. His compositions have received international prizes and recognition including the important German award, the Kompositionspreis der Landeshauptstadt Stuttgart for his composition the Tempo Mental Rap, a series of six variations for guitar based upon a Steve Vai transcription of a Frank Zappa rap. Michael’s compositions utilize a broad range of musical influences such as European avant-garde, American experimentalism, progressive rock and world music. Since the mid-90s Michael’s compositions have been informed by scientific models and metaphors. Initially stemming from his studies with voice science and dynamical systems, he’s built a body of work that explores the integration of nonlinear concepts applied to sound production and compositional constraints. While the methods and systems he develops are often influenced by science, it is his intuition – his ear that gives birth to the music.


Michael Edgerton is at the forefront of vocal exploration by extending the technical and expressive capabilities of voice. As composer, researcher and performer, he has presented new developments in the search for the limits of sound production. Notably, he has systematically investigated extra-normal singing using the tools of voice science and psychoacoustics. This approach has earned Mike considerable renown for those interested in the present and future of modern (experimental) voice.

Michael has received prizes for his compositions and his music has been performed around the world by ensembles including 441 Hz Chamber Choir, AuditivVokal Dresden, Berliner Cappella, C Asean Consonant Ensemble, China-Asean Youth Orchestra, Ekmeles Ensemble, Ensemble Ars Nova, Ensemble: Either/Or, Ensemble Proxima Centauri, Evergreen Experimental Music Ensemble, Guangxi Symphony Orchestra, Kairos String Quartet, Landesjugendchor Saar, Loadbang, Merle Noir, New Music Coop’s Combo Ensemble, St John’s Vocal Exploration Gatherings, Southwestern University (China), Stockholm Saxophone Quartet, Quartet New Generation, Via Nova Choir (Munich), VocalX Choir, Works-in-Progress Ensemble and by artists Almut Kühne, Andreas Fröhling, Angela Rademacher-Wingerath, Argenta Walther, Chatschatur Kanajan, Gary Verkade, Hu liu, Jan Heinke, Jeffrey Burns, Joshua Hyde, Mats Möller, Matt Hinchliffe, Matthias Bauer, Mattias Johansson, Moritz Ernst, Philippe Arnaudet, Rebekka Uhlig, Simon Strasser, Stefan Östersjö, Stephanie Aston, Timo Kinnunen, among others.

Olaf Katzer, Artistic Director of AUDITIVVOKAL DRESDEN has written, “Forty years after Luciano Berio’s “Sequenza” the American composer Michael Edward Edgerton has illuminated in his study “Anaphora” the expressive potential of the human voice. A kaleidoscope of 56 different categories of vocal multiphonics shows the wealth that the human carries in vocal expression. It pays to listen closely because simply there are many never heard before sound landscapes, in which multiphonic and polyphonic sound cosmos appears, although they are given by only one woman. These sounds are based neither on witchcraft, nor cast by a mystical spell, but are the result of scientifically based research in the field of voice, made by the composer himself and in his book “The 21st Century Voice”. Since the publication of his book “The 21st Century Voice” (2004), the American composer Michael Edgerton has become one of the leading experts in the search for the expressive possibilities of contemporary voice. No other composer has so systematically and unconditionally applied a compositional approach to every possibility of the human voice. “Anaphora” is at the same time a sound study, in which is presented his research on 56 different classes of vocal multiphonics, opening up a new sound universe.”


Michael is engaged with research. In 1995, Michael was asked by Barney Childs and Philip Rehfeldt to contribute a book on modern vocal techniques to the New Instrumentation Series. Since his approach has been to focus on the mechanics of voice production, Michael applied for and received a three-year Postdoctoral Fellowship from the National Center for Voice and Speech to study voice science and participate on research projects that included: reinforced harmonics, chant, ingressive airflow phonation, vocal violence. In 2005, THE 21St CENTURY VOICE was published by Scarecrow Press, with the second edition being released ten years later with Rowman & Littlefield. The book proposes continued exploration of vocal production based within the framework of voice science. Michael has also published scholarly articles on music composition, the extra-normal voice, nonlinear phenomenon and multidimensional scaling in sound production. Michael was recognized in the “Marquis Who’s Who in the World” since 2015. His creative and scholarly outputs has significant impact as evidenced by citations in books, articles and dissertations/theses.

UKÄ subject classification

  • Music
  • Biophysics


Dive into the research topics where Michael Edgerton is active. These topic labels come from the works of this person. Together they form a unique fingerprint.

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  • 37 Artistic work
  • 9 Article
  • 5 Book chapter
  • 4 Chapter in Report
  • More

A report on influences from superfluid turbulence in Der Rufer for percussion quartet

Edgerton, M., 2021 Sep 9, In: Art and Science . 5, 3, p. 51-62 11 p.

Research output: Contribution to journal › Article Open Access

Der Rufer (e106) (webpage)

Edgerton, M., 2021 Oct 19, Word Press.

Research output: Other contribution › Web publication/Blog post › Research Open Access

  • 6 Active

13 Performance 7 Organisation of festival/exhibition/concert/performance 6 Supervision of PhD students 4 Public lecture/debate/seminar

  • More

2007, Kompositionspreis der Landeshauptstadt Stuttgart for the Tempo Mental Rap by Michael Edward Edgerton

Edgerton, Michael (Recipient), 2007

Prize: Prize (including medals and awards)

2007. SEMIFINALIST, Composition Contest of the Netherlands Radio Choir, Kalevi Matus

Edgerton, Michael (Recipient), 2007

Prize: Other distinction

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MICHAEL EDWARD EDGERTON: The 21st-Century Voice: Contemporary and Traditional Extra-Normal Voice


De Michael Edward Edgerton


ANDY MURPHY: Ph.D. thesis:An Investgation of Overtone Singing for Electroacoustic Composition using FOF Synthesis 2013 Trinity College, Dublin


ThesisPDF Available

An Investigation of Overtone Singing for Electroacoustic Composition using FOF Synthesis

  • January 2013


  • Thesis for: MPhil in Music and Media Technologies
  • Advisor: Dermot Furlong

Authors: Andy Murphy

Music & Media Technologies
School of Engineering
School of Drama, Film and Music
Trinity College Dublin

Submitted as part fulfilment for the degree of M.Phil.






Voice Acoustics

Project log


Mar 12, 2019Malte Kobadded a research item53: Future PerspectivesChapter

  • Apr 2019


Jan 8, 2018Malte Kobadded a research itemSynthèse de la voix chantéeChapter

  • Apr 2014


Sep 13, 2017Malte Kobadded 40 project referencesPhysikalische Modellierung der menschlichen StimmeConference Paper

  • Mar 2003
  • DAGA 2003 Bochum

Stimme und Raum, Raum in der Stimme: WechselwirkungenChapter

  • Jan 2011
  • Aspekte des Singens I: Voraussetzungen, Klangparameter, Ausdrucksformen

A system for parallel measurement of glottis opening and larynx positionArticle

  • Jul 2009

Aug 17, 2017Malte Kobadded 2 research itemsIntonation im ChorArticle

  • Nov 2015


Die SingstimmeChapter

  • Oct 2014



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